Shoot Out The Lights
I’m a little behind on the relelntless self-promotion front, but I have my reasons, which are plentiful as grapes, if you you know your Shakespeare.
On Tuesday, March 6, I will be recording a podcast with the Hugs and Disses crew which will feature my new band Detective. I [...]
I’m a little behind on the relelntless self-promotion front, but I have my reasons, which are plentiful as grapes, if you you know your Shakespeare.
On Tuesday, March 6, I will be recording a podcast with the Hugs and Disses crew which will feature my new band Detective. I don’t know when the podcast will be available but I’ll try to remember to let you know. You can always check with them if you can’t hardly wait.
On Thursday, March 8, I will be doing Slake After Dark, the slightly embarrassing press release for which is embedded above. It’s free, and if you come, you’ll get to hear Detective, albeit in a semi-acoustic incarnation due to the limitations of the venue, and you’ll get to hear me read from a selection of my writing (which I need to get around to selecting very soon). And you can ask me questions about stuff like why is the sky blue, or where do trees go when they die, or pretty much anything except where do I get the ideas for my books/stories/films (they come, without fail, from my agent.)
Against The Day
I was at a dinner party recently at which I met a Famous novelist, who told a story about meeting the Very Famous novelist Thomas Pynchon, who I’m sure you know has a reputation for being, shall we say, a very private person. He doesn’t give interviews. He doesn’t do readings. It’s big news when a decades-old photo of his wrist appears. Nobody knows what he looks like. Etc.
Pynchon came up in conversation because FN and I were talking about the strange phenomenon of author readings, with which we have both long since made our peace, and the daunting task of establishing and maintaining an online “presence” that nowadays comes with the business of writing books. Understand that no one forces us to do readings, or to establish and maintain an online presence, but it is expected, and because of the changing ways in which people discover and consume cultural artifacts, it’s almost inescapable.
So much so, that when FN met Pynchon, Pynchon was musing about the possibility of doing a book tour for his new novel. To which a horrifed FN replied, “No! You can’t! Don’t you see, you have what we all want. You did it. You got away with it. Why throw that away now?”
To which Pynchon replied that, yes, he had “gotten away with it,” but he was pretty sure that if he’d come along twenty years later, he wouldn’t have been able to do so.
There’s a lot to be said for participating in the writerly conversation, for interacting with both readers and other writers, for the free exchange of ideas and enthusiasms. I get that, I really do. But I still struggle with the opposing urge towards hermetic solitude that is, I think, at the root of any writer’s being.
And I still envy the fuck out of Pynchon.
A brief list of inde rock summer reading recommended by Brandon Stosuy over at Stereogum includes Artificial Light, which is nice. You can read the list here.
While I would argue that Artificial Light is very much not “GBV-themed,” nor “indie rock-themed,” nor “rock-themed,” — it’s [...]
A brief list of inde rock summer reading recommended by Brandon Stosuy over at Stereogum includes Artificial Light, which is nice. You can read the list here.
While I would argue that Artificial Light is very much not “GBV-themed,” nor “indie rock-themed,” nor “rock-themed,” — it’s mainly about a librarian, after all — a plug is a plug and I appreciate the mention.
- It's a long climb up the rock face at the wrong time to the right place
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tearlyATjamesgreerDOTnet- James Greer's books on Goodreads
Guided by Voices: A Brief History: Twenty-One Years of Hunting Accidents in the Forests of Rock and Rollreviews: 24
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absolution abstract rendition of a definite condition a contest featuring human beings advertising A la recherche du temps perdu anecdotage Artificial Light a yellow coincidence book reading Book Review books caffeinated rambling Curbside Splendor Détective Everything Flows experiments do not always work which is why they are called experiments fiction fictionaut film France great rock bands of the united states Guided By Voices interview James Greer Jean-Luc Godard literary magazines movies music parody photography proselet reading reading in public is scary Robert Pollard self-promotion short fiction short film short story Slake The Failure The Power of Suck The Rattling Wall this is the modern world W.I.P. we are all immortal nowFriendly Fire
"James Greer, one of the nimblest and most multilayered American fiction writers, has, with his latest novel The Failure, pulled off a sublime and shivery-smooth literary hat-trick-cum-emotional-gotcha. I defy anyone to come up with an equation to explain how this book's first impression as a ridiculously clever, funny crime story can gradually disclose a metanovel built from far more encyclopedic scratch only to reveal upon its conclusion a central, overriding thought so heartfelt literally it trembles your lower lip. This is one stunning piece of work."—Dennis Cooper"James Greer's The Failure is such an unqualified success, both in conception and execution, that I have grave doubts he actually wrote it."—Steven Soderbergh"Greer has done it again: a big-city, techno-jargon-filled thrill-ride with slick medium-brow drop references to our (once-shared) mythological hometown. What could be more poignant?"—Robert Pollard"How do you assess if your life has been a success? For starters, take time and turn it on its head. You'll first need to find its head. Luckily, James Greer's novel The Failure will help--it's a brainy, boisterous, unsettling, and unsettled look at a group of people thrust into the most confounding of existences, complete with petty crime, high science, love, sex, and cars. The narrative winds and darts, gleefully uncooperative. The characters have funny names and sometimes funny existences. Still, you will recognize them. They are us."—Ben GreenmanUnreservedly Recommended
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Pygmalion Lit Festival
I’m going to be reading, probably from my forthcoming collection of […]








