Gardenias. Heavy scent borne on the evening breeze, through two windows facing the street. The red Mercedes had seemed to come out of nowhere.
“Listen. I met a girl.”
In fading sun the row of bougainvillea overflowing chain link fence across the street flushes pinkly, nodding (sweet, demure) at passersby.
“I love [...]
Gardenias. Heavy scent borne on the evening breeze, through two windows facing the street. The red Mercedes had seemed to come out of nowhere.
“Listen. I met a girl.”
In fading sun the row of bougainvillea overflowing chain link fence across the street flushes pinkly, nodding (sweet, demure) at passersby.
“I love Dave, don’t you?”
He hadn’t seen the car until it juddered into his, obliquely, at low speed, denting the hood over the right headlight and smashing the blinker to yellow shards, scattered on the road. Useless blinker guts hung from exposed wires, sadly on the bumper, a gouged eye dangling from its socket by a bloody thread.
“He thinks I’m trashing him. And of course I am, I mean whenever you break up with somebody….”
Night wearily shrugs on pinpricked overcoat. He sits in blue chair facing the windows. Cars roll by, eachly different by susurrus, by timbre of engine-stroke and brake-squeak. Bursts of conversation from sidewalkers in brief spaces between rumbly belching and whispering cars. Palpates parts of his face with one indifferent hand. Still there. Still.
“I don’t involve myself with anything to do with Allen.”
Can you feel his fingers moving slowly over your body? he wondered. Hot dry lips on slender shoulder, breathing in your ear, blowing strands of hair from your eyes? Like fine sand drifting in sea-air. You might not have noticed. Bastard didn’t even apologize. Not a flicker of regret. The look in his eyes as dead as will. We all. Being. Unwell. Stand. Windowsill. Understood. Will understand.
“I was in shock, just complete… shock….”
Photo: Still from Mimesis (2006)
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"James Greer, one of the nimblest and most multilayered American fiction writers, has, with his latest novel The Failure, pulled off a sublime and shivery-smooth literary hat-trick-cum-emotional-gotcha. I defy anyone to come up with an equation to explain how this book's first impression as a ridiculously clever, funny crime story can gradually disclose a metanovel built from far more encyclopedic scratch only to reveal upon its conclusion a central, overriding thought so heartfelt literally it trembles your lower lip. This is one stunning piece of work."—Dennis Cooper"James Greer's The Failure is such an unqualified success, both in conception and execution, that I have grave doubts he actually wrote it."—Steven Soderbergh"Greer has done it again: a big-city, techno-jargon-filled thrill-ride with slick medium-brow drop references to our (once-shared) mythological hometown. What could be more poignant?"—Robert Pollard"How do you assess if your life has been a success? For starters, take time and turn it on its head. You'll first need to find its head. Luckily, James Greer's novel The Failure will help--it's a brainy, boisterous, unsettling, and unsettled look at a group of people thrust into the most confounding of existences, complete with petty crime, high science, love, sex, and cars. The narrative winds and darts, gleefully uncooperative. The characters have funny names and sometimes funny existences. Still, you will recognize them. They are us."—Ben GreenmanUnreservedly Recommended
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Pygmalion Lit Festival
I’m going to be reading, probably from my forthcoming collection of […]






