Apparently he was commsissioned to make this for the 2011 Viennale, and probably I’m posting something that a) everybody’s already seen already and b) everybody already knows is some kind of almost self-parodic absurdly creepy stuttering anti-narrative larded with semi-ominous signs & symbols intended either to make fun of himself or of us. Or both. In other words: like everything else David Lynch does. And I like it anyway.

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