Reading List 2011: Part One of Three

I’ve seen a few people compile lists of books they’ve read so far in 2011, and the thought ocurred to me: I like lists!
But I don’t like lists that are too long, so I’m going to parcel these out in manageable portions. This first list confines itself to fiction written or translated into English. Upoming lists will devote themselves to a) fiction written or translated into French and b) Non-fiction written or translated into English.
I might also do a separate list of movies I’ve watched (whether on DVD or at the theater) so far in 2011. That list is likely to be much longer. By my count the list of books I’ve read so far is somehwere around 150, but a lot of those books, for instance the ones that I will post under non-fiction, were for research, and not simply for pleasure. So it’s not all fun and games, even after someone loses an eye.
Works of fiction that I read specifically for film projects are noted with an asterisk. I’ve listed the books alphabetically by first name of the author because that was what Microsoft Word decided to do and I cannot argue with software.
I have only included books on this list that I can recommend, and I’ve left out a few that I re-read so often it wouldn’t be fair to count them (Pale Fire, Ulysses, The Third Policeman, etc). You’ll of course note that many of them were not published in 2011, or even 2010 in some cases, but this is what I read, so this is what you get. Links will take you to places where you can purchase these books online, but I urge you to seek them out at your local independent bookstore, if possible.
You’ll also note that I have declined to rate or review any of the books listed. I did this for two reasons. 1) I already have or am going to review many of the books on the list, either here or at the Los Angeles Review of Books, or 2) I don’t have anything interesting to say about some of the books, except: “I liked it. You should read it.”
That said, here goes something:
- Aaron Burch, How To Take Yourself Apart/How To Make Yourself Anew, Pank
- Alan Warner, The Worms Can Carry Me To Heaven, Jonathan Cape
- Alasdair Gray, 1982, Janine, Canongate Classics
- Alfred Döblin, Berlin Alexanderplatz, (Translated by Eugene Jolas), Continuum*
- Amelia Gray, Museum of the Weird, The University of Alabama Press
- Anna Winger, This Must Be The Place, Riverhead Books *
- Blake Butler, Ever, Calamari Press
- Blake Butler, There Is No Year, Harper Perennial
- Danilo Kis, garden, ashes, (Translated by William J. Hannaher), Dalkey Archive
- Darby Larson, The Iguana Complex, Nephew
- David Foster Wallace, The Pale King, Little, Brown
- Frank Hinton, I Don’t Respect Female Expression, Safety Third Enterprises
- Fyodor Dostoevsky, The Idiot, (Translated by Alan Myers), Oxford University Press*
- Gustave Flaubert, Madame Bovary, (Translated by Lydia Davis), Viking
- Hjalmar Soderberg, Doctor Glas, (Translated by Paul Britten Austin), Anchor
- Jennifer Egan, A Visit From The Goon Squad, Anchor Books
- Jesús Ángel Garcia, badbadbad, New Pulp Press
- Jim Ruland, Big Lonesome, Gorsky Press
- John Barth, The Sot-Weed Factor, Anchor*
- John Dos Passos, Manhattan Transfer, Mariner Books
- Justin Taylor, The Gospel of Anarchy, Harper Perennial
- Lee Rourke, The Canal, Melville House
- Lydia Davis, The Collected Stories of Lydia Davis, Picador
- Lydia Davis, The Cows, Sarabande Books
- Matthew Stokoe, Cows, Little House on the Bowery/Akashic Books
- Michael Kimball, Us, Tyrant Books
- Molly Gaudry, We Take Me Apart, Mud Luscious Press
- Nathan Larson, The Dewey Decimal System, Akashic Books
- Nina Revoyr, Wingshooters, Akashic Books
- Patrick deWitt, Ablutions, Houghton Mifflin Harcourt
- Patrick deWitt, The Sister Brothers, Ecco
- Roberto Bolaño, 2666, (Translated by Natasha Wimmer), Picador
- Roberto Bolaño, The Savage Detectives, (Translated by Natasha Wimmer), Picador
- Scott McClanahan, Stories V!, Holler Presents
- Tao Lin, Richard Yates, Melville House
- Thomas Bernhard, Prose, (Translated by Martin Chalmers), Seagull Books
- Tom McCarthy, C, Alfred A. Knopf
- Tom McCarthy, Remainder, Vintage
- Tom Williams, The Mimic’s Own Voice, Main Street Rag
- William Maxwell, So Long, See You Tomorrow, The Harvill Press
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I can’t really get my head around the fact that this is just part one of three. I don’t really leave my house either but I still don’t make such good use of my time. I don’t watch much TV, I never go anywhere, I don’t do drugs — so why can’t I read 300 books a year or whatever insane number it is? I pace a lot, I worry, I fulminate in my so-called study, I do read quite a bit but I also get distracted so easily by worrisome thoughts, nameless terrors, named terrors, hypochondriacal agitations, loose threads on my garments or other nearby textiles, a lampshade that isn’t perfectly vertical, etc etc. I also dust my vast collection of Precious Moments figurines on a daily basis. Not really. Really I think it’s the internet. I read a lot more before. The seed of my demise was planted sometime in 1996 when I got my first computer. So I blame Michael Dell, who has so much to answer for, or better yet the inventors of ARPANET in 1969. I’m thinking of trying mindfulness meditation to regain the powers of concentration I haven’t had in 15 years. I have a book. But I can’t seem to finish it.
I think I read pretty quickly. I’m not sure. I remember being tested in 4th Grade or something and I have a vague memory of the test coming out at something like 800 words a minute. I don’t know if that’s fast relative to average or if I’ve gotten faster (or slower, for that matter).
But a good chunk of this is my job. Especially the non-fiction stuff that I’ll get to later. Almost everything I read is read with some kind of purpose, even if I’m not always certain what that purpose is.
I don’t much like the internet, either, but there’s naught we can do about it now. Meditation is probably a good idea.
“Chunk” is a word that gives me fits. I don’t know why but it makes me uncomfortable. We all have such words. It’s beyond, or parallel to, dislike, it’s an almost physical reaction. It’s something to do with the sound of the word as it conjures an image. My old friend used to become flustered upon hearing the word cutlet.
You must not be a fan of Superchunk, I’m guessing.