You Can’t Challenge Forward Progress
The very observant among you may have noted the disappearance of one or two events previously scheduled under the convenient heading “Events” elsewhere on this site. For reasons of logistics I have had to withdraw my participation from certain readings that I would otherwise have been delighted to attend. The time machine promised me by a Mr. Wells has not yet moved beyond stage alpha, or aleph (one is regrettably unfamiliar with time machine argot).
Beyond these mundane matters lie even more mundane matters. I’m working on a short review of Lydia Davis’ recent translation of Flaubert’s Madame Bovary for a new venture that promises great things: The Los Angeles Review of Books. So new is LARB, I should add, that its website, as I type these words, is laid out in lorem ipsum, which my neighbor’s cat Cicero insists is a corruption of something he? she? originally scratched or spat. The Review is scheduled to launch sometime in April.
Anyone interested enough to have continued reading this far might like to know that I am making good progress on my next novel, but I should warn you that I’m writing it in French, for no particular reason other than that I can. Working title: Mémoires d’outrecuidance. That is a joke. The working title, I mean. Joking. Admirers of Chateaubriand may now mop their brows in relief.
I don’t like to talk much about my film work, mainly because it’s not very interesting, but I see little harm in disclosing the fact that I’m currently working on the script for a talking animal movie. It’s about an animal that can talk. Just like a human. Revolutionary.
I’ll probably post a Guided By Voices story up here in the next several weeks because, you know, give the people what they want. Or something.
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"James Greer, one of the nimblest and most multilayered American fiction writers, has, with his latest novel The Failure, pulled off a sublime and shivery-smooth literary hat-trick-cum-emotional-gotcha. I defy anyone to come up with an equation to explain how this book's first impression as a ridiculously clever, funny crime story can gradually disclose a metanovel built from far more encyclopedic scratch only to reveal upon its conclusion a central, overriding thought so heartfelt literally it trembles your lower lip. This is one stunning piece of work."—Dennis Cooper"James Greer's The Failure is such an unqualified success, both in conception and execution, that I have grave doubts he actually wrote it."—Steven Soderbergh"Greer has done it again: a big-city, techno-jargon-filled thrill-ride with slick medium-brow drop references to our (once-shared) mythological hometown. What could be more poignant?"—Robert Pollard"How do you assess if your life has been a success? For starters, take time and turn it on its head. You'll first need to find its head. Luckily, James Greer's novel The Failure will help--it's a brainy, boisterous, unsettling, and unsettled look at a group of people thrust into the most confounding of existences, complete with petty crime, high science, love, sex, and cars. The narrative winds and darts, gleefully uncooperative. The characters have funny names and sometimes funny existences. Still, you will recognize them. They are us."—Ben GreenmanUnreservedly Recommended
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James Greer > enormous changes at the last minute > You Can’t Challenge Forward Progress
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Just like a human: But does said animal say anything when speaking? That'd be sumin'.
Bon chance. Vive le Ruth Ruth, ne pas DiMaggio.
I am currently Ruth-less.